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Homepage / Programme / Theatre / Chreja

Chreja

 

Performance “Chreja” | Poland

 

Creator: Anna Maszewska

Direction, text: Paweł Głowaty, Anna Maszewska

Music, sound design: Wojtek Kurek

Stage design: Weronika Gabryiel

Costumes: Mateusz Maria

Lighting: Tomasz Krukowski

Sound: Marcin Dobijański

Cast: Anna Maszewska

Producer: Anna Maszewska

Premiere: October 5-6, 2024

An excerpt from the book “How to cry in public places” by Emilia Dluzewska, “Znak” Publishing House, is used in the performance.

An excerpt from the song “Dancin' Fool” by Frank Zappa is used in the performance. The licence for the use of the song was granted by the ZAiKS Authors Association.

The performance was created as part of the Artistic Scholarship of the Department of Culture of the City of Łódź.

 

Date: August 27, 2025 | Wednesday

Time: 7 pm

Place: Stage, Art Factory in Łódź, 3 Tymienieckiego Street

Tickets: 40 PLN - early bird / 50 PLN - reduced / 70 PLN - regular

Ticket sales: kicket.com portal / online payment

Early bird tickets: on sale until July 13, 2025

Regular and reduced tickets: on sale from July 14, 2025

 

Duration: 60 minutes

Age Restrictions: 14+

Language: Polish

Content Warning: sharp and loud sounds of high intensity are used in the performance

 

After the performance, around 8:30 pm, we invite the viewers to a meeting and discussion with the artists.

The discussion will take place in the Foyer of the Art Factory in Łódź.

The discussion will be led by Tomasz Domagała.

The discussion will be held in Polish.

 

 

 

DESCRIPTION OF THE PERFORMANCE

 

“Chreja*” is a story of the struggles of a character who receives a diagnosis of a mental disorder falling within the spectrum of neurodiversity - a concept that assumes that there is a natural diversity in the functioning of the human brain and the neurobiological basis of the human mind. The performance evokes everyday life full of absurdity and grotesqueness in which a neurodiverseperson must learn how to find herself. Thus asking the question: where does the joke end and the real drama begin?

 

“Chreja” is a story of a woman with ADHD, dyslexia and a highly sensitive personality. The performance aims to show the multidimensionality of an atypical mind, which in the mundane everyday life constantly clashes with the rules and patterns of the outside world, and is masking, but also using out-of-the-box thinking and creating innovative ways of solving problems.

 

“Chreja” is an attempt to break the taboos, a story about the multifaceted nature of information processing, the differences in emotional reactions and the simultaneously problematic and brilliant aspects of neurodiverse people.

 

* Chreja - in ancient literature, they are a collection of humorous sayings of famous people and anecdotes about them, with a didactic purpose.

 

 

INFORMATION ABOUT THE ARTISTS

 

Anna Maszewska - actress, theatre and film producer, and educator. Graduate of Cultural Studies with a specialization in Film Studies from the University of Łódź, as well as a graduate of the Department of Film Art Organization at the National Film School in Łódź. Has experience in voice acting and on-camera work. Since 2011 she has been actively involved in independent and off-theatre productions. From 2011 to 2015, she was an actress at the ab'Teatr group and also the leader of the ab'Teatr workshop group. From 2015 to 2017 she led and performed in the Polish edition of the international project “TAKE OVER: Seeing Young Audiences through Young People’s Eyes”, organized by CHOREA Theatre. Since 2018, she has been a member of the CHOREA Theatre group. She performs in the following CHOREA Theatre productions: “The Tragedy of John” (dir. Waldemar Raźniak, 2018), video-performance “Locked in the Tower” (dir. Julia Jakubowska, 2020), “Princesses” (dir. Julia Jakubowska, 2020), “Good Morning Pinky Mouse!” (dir. Ola Shaya, 2021), “Death on a Pear Tree” (dir. Łukasz Kos, 2021), “Ragnarok” (dir. Adrian Bartczak, 2022), “What’s Demeter?” (dir. Tomasz Rodowicz and CHOREA Theatre group, 2024). She is the co-leader of the Youth Theatre Group at CHOREA, and the co-director of the performance “I’ll Eat Your Jam” (2023), created by the group. An instructor of acting and personal development workshops for children, youth, and students. She collaborates with the Musical Theatre in Łódź on educational initiatives. She is also the co-leader of the Oldest Children’s Theatre Group at CHOREA. In 2024, she was awarded with the artistic scholarship from the City of Łódź, with which she created the monodrama "Chreja" - a performance about neurodiversity. She is a co-founder of the production company One3 Studio.

 

Paweł Głowaty - ac­tor, gra­du­ate of the Leon Schil­ler Na­tio­nal Film Scho­ol in Łódź at the Ac­ting De­part­ment. Prior to his stu­dies, he had been as­so­cia­ted with a dan­ce the­atre. He had ta­ken part in the per­for­man­ces of the Nar­vas The­atre by Ar­tur Stel­ma­czo­nek such as, “Ni­ja­ki, mę­ski, żeń­ski” (“Neu­ter, Ma­scu­li­ne, Fe­mi­ni­ne”) and “Po­ry­wa­cze ciał” (“Body snat­chers”), among others. He co­ope­ra­ted with stu­dents and gra­du­ates of the AST Na­tio­nal Aca­de­my of The­atre Arts in Kra­ków at the De­part­ment of Dan­ce The­atre. He took part in a mo­ve­ment mi­nia­tu­re di­rec­ted by Woj­ciech Cho­wa­niec and cho­re­ogra­phed by Jan Lo­rys, as well as in the per­for­man­ce “It’s all abo­ut bra­ve­ry” cho­re­ogra­phed by Ka­ta­rzy­na Ba­ran, which was pro­du­ced in co­ope­ra­tion with the Mo­vytz Dan­ce The­atre and Skin the cat. Gło­wa­ty also di­rec­ted his own pie­ces, such as “Sen Ma­łe­go Kró­la, któ­ry nig­dy nie był Księ­ciem” (“The Dre­am of a Lit­tle King who was ne­ver a Prin­ce”) ba­sed on “The Stran­ger” by Al­bert Ca­mus, which won the En­tree Com­pe­ti­tion or­ga­ni­sed by the Roz­ryw­ka The­atre in Cho­rzów. The­re, as a part of his re­si­den­cy, he di­rec­ted the play “Pa­łac lo­do­wy” (“The Ice Pa­la­ce”) ba­sed on the Ter­jei Ve­sa­as’s po­etic tale with same ti­tle. Du­ring the time of his studies he also co­ope­ra­ted with Mar­cin Brzo­zow­ski and fel­low stu­dents on the play “Tech­ni­ka punk­tu świetl­ne­go” (“The po­int of li­ght tech­ni­que”) ba­sed on the works by Phi­lip Di­mi­tri Ga­las. The per­for­man­ce was a suc­cess at the Mol­da­vian and Ro­ma­nian Fe­sti­vals. Gło­wa­ty col­la­bo­ra­tes with CHO­REA The­ater and has been en­ga­ged in the “Tragedy of John” pro­duc­tion di­rec­ted by Wal­de­mar Raź­niak. The per­for­man­ce is the pri­ze win­ner of the Po­lish The­atre 2019 re­per­to­ire, as well as the 2018/19 Gol­den Mask win­ner. He is as­so­cia­ted with Na­tio­nal The­atre in War­saw. In 2022 he directed the performance “Me, Feuerbach”, based on a drama by Tankred Dorst, as part of the Przestrzenie Sztuki Project. In 2024, he co-directed the performance about neurodiversity, “Chreja”.

 

Wojtek Kurek - improviser, percussionist, producer, author of sound installations and music for theatre. He is active in the fields of folk, experimental and electroacoustic music. He programmes his own instruments and effects, with which he processes the acoustic sounds. He has released more than 30 albums, which have been released in Poland, the USA, Germany, Austria, Italy, Portugal and Scotland. He performs, among others, with the avant-folk trio Tuleje, the duo MEŁECH / KUREK, the quartet Chryste Panie and with Paweł Doskocz. He is the unofficial world record holder in the category of “solo tour of a Polish resident” - 23 concerts in 25 days. Author of a cyclical programme on Radio Kapitał.