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Homepage / Programme / Summer Vibe / Revolution, madness, queer

Revolution, madness, queer

 

Discussion “Revolution, madness, queer” | Poland

 

Cre­ators: The University of Łódź Student Theater Studies Research Club, Festival New­spa­per "Tupot"

Content supervision and editing: PhD. Małgorzata Ja­błoń­ska

 

Date: Au­gust 30, 2026 | Sunday

Time: 7 pm

Pla­ce: Room A_120, Art Fac­to­ry in Łódź, 3 Ty­mie­niec­kie­go Stre­et

Ad­mis­sion: Free of cost | Prior booking is required | The number of participants is limited

Booking: From June 23, 2026 | biuro@retroperspektywy.com

 

Duration: 90 minutes

Age re­stric­tions: 18+

Language: Polish

Content warning: same as in the performance “Fucking Truffaut” - themes relating to war, trauma, loss, social exclusion, queer, LGBTQ+

 

 

 

DESCRIPTION OF THE DISCUSSION

 

“Revolution, madness, queer” - a semi-open debate in an alternative game format, devoted to discussing the experiences related to performance “Fucking Truffaut”

 

This isn’t a discussion panel. There’s no moderator with a microphone or five experts sitting around a table. Instead, there’s a game with rules you’ll learn on the spot, and a single starting point: a performance that threw you off balance. One that was too (?) intense, strange, queer.

 

The format is deliberately non-obvious, because the topic is, by definition, non-obvious. "Revolution", "madness" and "queer" are not words that sit well in a traditional debate. That is why we will be queering the very format of the debate. The number of participants is limited - prior registration is required.

 

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Three debates, three topics, one common goal: to think together, but not to sit quietly. The team behind the Festival Newspaper “Tupot,” edited and supervised by PhD Małgorzata Jabłońska, presents events where discussion intertwines with action - workshops, games, and artistic interventions. Performative festival debates are a format that assumes that thinking itself can be an event.

 

 

INFORMATION ABOUT THE CREATORS

 

“Tupot” Festival Newspaper - is the pride and joy of the Student Theatre Studies Research Club and holds a special place in the club’s history. Although the publication has faithfully accompanied the Theatre Schools Festival for many years, the editorial team has recently expanded its activities and successfully established new festival partnerships. “Tupot” was initially published exclusively in print, but since 2014 it has also been available in an electronic version, in the form of a blog. What can you find in our newspaper? First and foremost, reviews. After each performance we see, we work on a review that is published the next day in print and on the blog. In addition to reviews, on our website you can find interviews, jury verdicts, satirical pieces (since we don’t limit our authors’ expression to a single genre), and other materials related to the festivals where we strive to actively contribute to the theater community. 

 

The University of Łódź Student Theater Studies Research Club / SKNT - is a space for those interested in theatre - from a research, critical, and practical perspective. Since 1977, we have been organizing events, co-creating projects, and publishing the Festival Newspaper “Tupot.” SKNT members actively participate in and organise conferences, discussion meetings, and workshops. All of this is aimed at expanding their knowledge of theatre, promoting the performing arts and related academic disciplines, and gaining practical production experience.

 

PhD Małgorzata Jabłońska - a theatre scholar to the very core, though she has occasionally broken bones during theatre workshops. She specialises in the history and methodology of acting training, and is a fanatical devotee of Meyerhold. She works to promote a culture of informed consent and prevention of violence and discrimination in the theatre, co-founding the Programme Council of the Academy of Safe Culture at the Theatre Academy. She is a founding member of CHOREA Theatre Association and co-author of the handbook “Actors Physical Training: From Individual to Group Actions” (2015). She is active in the Polish Society for Theatre Research, the National Theater OFFensywa, and the International Platform for Performer Training.